Meet the Team

Puppet and mask maker, performer, and street theatre director, they explore the body as a site of ecological sensitivity. Their artistic practice reclaims public space through radical softness and collective re-attunement. They also teach the Inbalance Method™, an object theatre and choral technique focused on power balance—on stage and on Earth.

To me, THE HERDS is a moving organism—a creature made of many bodies, crossing borders like the wind crosses landscapes. It holds something ancestral and futuristic at once. It reminds us that the climate crisis is not abstract. It is felt in the flesh, in the streets, in the disruptions of daily life. THE HERDS carries grief and urgency, but also a strange kind of hope: that through collective movement, through reclaiming public space with care and intensity, we might awaken something—emotionally, politically, sensorially. It feels like stepping inside a pulse. Like being part of something larger than myself—something wild, necessary, and alive. I know it will be intense, overwhelming, beautiful. I expect it to shake me. To move through cities like a question without an answer. We bring these magnificent creatures to life not just to be seen, but to disturb, to stir something deep. It’s not just about raising awareness—it’s about making people feel, in their bodies, that we belong to a world in transformation.